Spring One Acts,
2009
April 16 & 17, 2009
Back to Troupe #6172 Home
One Acts? In the Spring? It's a
plan so crazy .. it just might work.
Pictures by Lauren Bates ('09), Garry Cohen ('11), Chanel Letourneau ('10) & Alex Reuille ('10). Captions by Mr. G
Behind the Scenes
It's where the
real action is.
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Kasey, and two guys who always get mixed up. What are their names again?
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Cara, completely focused AND stylish at the same time, in true makeup room fashion.
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Jamie closely watches Carl for coolness tips.
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Meanwhile, up in the Light & Sound booth EVERYBODY is having a great time.
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Everybody looks like ants from the Light & Sound booth. Well .. like littler versions of people at least.
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Nitza and Melissa sharing a makeup moment.
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Garry and Czarina helping a tiny old man who has lost his hair. What kind of person would steal a poor old man's hair??!
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!
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The cool new stage flats that Mr. Taylor made for us. They are sleek, elegant, and one would later almost kill Brooke.
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Benji and Vince mix it up at the props table.
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Just four guys, hanging out.
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Our opening night crowd was actually bigger than this.
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Noemi, Lisa and Amy work hard on the stage crew. REAL hard.
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We had a real fire hose for "The Still Alarm" courtesy of some great Props Crew connections.
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A very rare moment of relaxation on Opening Night before the house opened.
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Mark about to get his eye that always pops out popped back in by the makeup crew.
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Kids these days.
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Behind every great, black-dressed special agent is Steven Somohano.
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Hard Candy
(Acting 1, Two Casts)
Anybody from the
other cast who has any pics? Lemme know, and I'll post 'em!
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Who IS that handsome director with such a clear sense of urgency and vision?
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Makeup craziness continues as Hard Candy, the first show in the series gets ready to roll.
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Sarah is always at a Dutch angle. Your neck hurts after talking to her for too long.
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Meluntra, looking sharp as Dave.
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Must .. focus ... dozens of cast members .. going on ... in minutes ....
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Cody is ready to be the first actor on stage for the night.
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"Hard Candy" was brought to you by the letter "M"
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What complex sets we had. That's not a flat table. It's an office desk, of course!
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The hard candy is symbolic of the title of the play.
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Such clear expressions! It makes an acting teacher proud, ya know : )
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I think Fred and Gail could probably pull off a spin-off/buddy movie.
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It's a truism that all Vince has to do to get anybody to laugh is just stand and look somewhere.
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If you don't laugh, you better look out though.
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It's a picture of a picture-taker. Levels. Like an orange.
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Courtney = victorious. Nina = fetal.
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As close to a cast pic for this as we're gonna get.
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Aww.
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Caity, helping Garry with lines in the lobby.
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Just another day, of never getting promoted.
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When I see this picture, I imagine Vince hosting his own comedy improv show and I don't know why.
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Lockdown
(Drama I, One Cast)
You know you've
had a class with this cast of characters before. (I'm sorry.)
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"Lockdown" is a play about students.
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Why is Phil so calm? It's like he doesn't even know his blocking!!
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So, in a Lockdown, everybody locks themselves into their classrooms for security purposes.
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You're never sure WHY you're locked down, just that you are.
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You've probably never had a class like this, but this one has a few arrogant, self-centered students who are really, really irritating.
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Instead of shutting up (like you're supposed to) they use the opportunity to bicker about their petty problems.
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Alyssa is either tragically farsighted, or trying to get reception.
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Jamal vs. Destiny ... WHO WILL WIN?
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Shelby and Mary's scene composition here suggests a division of light and dark, of knowing and unknowing, dichotomy without form.
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Abby and Brooke somehow made sure Jessica (barely seen) hardly got a word in edgewise.
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Ms. Karsh. It rhymes with harsh. And .. probably something else. Sparsh?
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So, at the end of the mysterious lockdown, it's finally dramatically revealed to the students that
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Dinner With the
MacGuffins (Acting 2 & 3, Two Casts)
Who needs a
fourth wall?
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A very special father and son moment.
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Melissa LOVED everything about the play, especially all of the makeout scenes with Mark. They were electric.
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We were fortunate to get Lindsay's performance on stage before the back of her brain exploded through her hair.
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Even Nitza seems to be asking, "Whose head is shaped like that?"
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Zach is visited by two agents. MYSTERIOUS agents. Thus the black clothes.
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Lauren would sometimes just vanish into the wings like a Chesire Cat, except human, and without smiling. Or a hallucinegic backstory.
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That's right kids, don't try this at home.
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Wait? What was that? Was that a CELL PHONE in the audience?
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Wow, it's the same family but a different cast. And no costumes. It's wacky!!
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It's hard to believe Mark is the same guy who once had the world's craziest hair.
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Hey, it's those agents! Except they're a different cast without costumes... wait. Whoa, I just got deja vu. You too?
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Meanwhile, stage managers are being trusted as the play wore on. What a nice phrase. With your permission I'll say it again: the play wore on.
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Miss Taylor is getting all hardcore painting something. I forget what it was, but it was essential.
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She's just not that into you.
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If only Nitza had been at WCHS for the "Romeo & Juliet" unit where we did that "mouth location" mini-lesson.
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I kinda like the jaunty camera angle here.
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One Grampa ......
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TWO Grampas?! Whaaaa? Oh yeah, the split cast thing.
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Do you see the bird, Judge Hawthorne? Aigh! Its claws! Its claws!
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Bradley looking all paternal. Kinda.
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It's all fun and games until someone calls the Federal Containment Bureau.
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"But you hung drywall for 1,047,374,378 years, Grandpa!"
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Moriah, giving Mark her particular brand of performance feedback. Or acting. Could be either.
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The Still Alarm
(Thespians, One Cast)
Quite possibly,
my favorite One Act performance of all time (so far). I've been waiting for years to
put it on, and I wasn't disappointed.
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Tori, at the very moment she realized she had crossed over too far, and would never be able to go back to the Cheerleading team.
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May I just say ... total and utter props to Makeup and Costume crew.
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"On fire?" "Mm, yes sir. We .. er .. think so."
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I wish I could have a video clip of the 'leg click/crossover" maneuver Tori did as she sat down each time.
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"Is it bad?" "Yes sir, we uh .. think so."
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The hotel fills with smoke, the single reason why we can't take this to One Acts competition next year. Unless we get really really creative somehow.
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"Oh no, you never could jump."
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Ed calls for ice water, as Bob painstakingly folds each item as they evacuate with great British reserve.
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The Firemen! We're saved!
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Ed and Bob ... ARE saved .. aren't they?
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"Did you hear that? He knows the chief! Dear Chiefy!" (chortle, chortle)
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Cara/Fireman #1 faces the situation with great determination, if not actual results. Meanwhile is like a Charlie Chaplin version of Santa Claus.
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"Play us that thing you played when the Equitable Building burned down."
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You're not anti-symphonic, are you?
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Chanel's longlost picture of the entire cast.
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